Tag Archives: Sohrab Saadat Ladjevardi

Radio Interview @ Q4 Radio AM1710’s “Revolution and Beer” (Chicago) with guests Sohrab Saadat Ladjevardi and Joseph Fedorko (December 7, 2013)

881964_10151496327098756_1888029716_o-150x150 (1)Text by Q4 Radio‘s Revolution and Beer

We sat down for a very informative and urgent conversation with a member of Astor House in Roger’s Park related to fair housing and a pending eviction; an eviction that falls like a guillotine just in time for the holidays. This was happening just a couple of hours before a planned vigil in support of the rights neglected residents to stay in their neglected homes during the holidays. 1463376_10201940400785199_1456207340_n

Then, we moved on to some brilliant jazz saxophone, performed by Sohrab Saadat Ladjevardi. Sohrab took us through his development and travels into the realms of  Kendo, and on to his obsession with the power of music and the saxophone. We learned about his multi-faceted heritage, and how that heritage, combined with his experiences abroad, lead him to become a strong advocate for musicians rights.

I the last third of the show, Joe Fedorko of Democracy Burlesque took a break from a crammed schedule of recording for their upcoming Christmas show, “Frack The Halls,” to join us for a beer. He guided us into another level of conversation around satire, art’s roll in society, and how artists get by.

Concert Review (in Farsi): Sohrab sax solo concert @ Cafe Nadery (NY), September 24, 2013

چند شب پيش، سهراب سعادت لاجوردى، اجراى تك نوازى ساكسيفون تو كافه نادرى منهتن داشت كه رفتم ديدم.

Sohrab solo concert @ Cafe Nadery,  September 24, 2013 (Photo by Jeff Wong)
Sohrab solo concert @ Cafe Nadery, September 24, 2013 (Photo by Jeff Wong)

راستش تو اين چند ساله كمتر شده بود كاره بچه هايى كه با سازه غربى به اجراى موسيقى متاثر از موسيقى ايرانى مى پرداختن، برام جذاب باشه ولى كار سهراب به دلم نشست. (بگذريم از دوستانى كه هميشه كاراى خوبشونو گوش كردم و لذت بردم.)

اگه بخوام از ديد خودم خيلى خلاصه و خودمونى توصيفش كنم مى تونم اينجورى بگم كه احساس نكردم موسيقى ايرانى به زور واردش شده. صداى “شور” مى ده ولى شور نيست. برام مثل يك موسيقى جازى بود كه خيلى ظريف و بدون اغراق از موسيقيه ايران تاثير گرفته بود، و در عين حال “بى باپ”(Bibop) هم نبود. اينم دوست دارم اضافه كنم كه سهراب صداى خوبى از سازش در مى آره، و لحجه مخصوص خودشو داره كه من دوست داشتم.

دوستان پيشنهاد مى كنم اگه فرصت كردين كاراشو گوش بدين يا اجراشو ببينين.
ارادت

Review by Kaveh Haghtalab (September 27, 2013)